Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "Do you really think so?" Fleda presently inquired. "I mean, does he, after the fact, as it were, accept it?"!

"I hardly see Mona as the 'soul' of anything," the girl replied. "But have they made no sound? Have you heard nothing at all?" "What else can I really pretend when you threaten so to cast me off if I speak the word myself?"

"And did you think your mother would see you?" Mrs. Gereth shrugged her shoulders. "To save you? I see. You mean I must get rid of her for you." His blankness showed for a little that he felt the chill of her cold logic; but as she waited for his rejoinder she knew to which of them it cost most. He gasped a minute, and that gave her time to say: "You see, Mr. Owen, how impossible it is to talk of such things yet!"